After leaving secondary school in Mažeikiai, Virgilija Stonytė studied the Lithuanian language and literature at Vilnius Pedagogical Institute. She graduated from the institute in 1984, and since then she has been a secondary school teacher. Stonytė was familiar with Professor Vanda Zaborskaitė from 1980. She participated in various events as a family member, and was involved in networks the intelligentsia of that time. According to her, there were two main annual events that gathered a close group of intellectuals: the birthday and the anniversary of the death of the Lithuanian writer Vincas Mykolaitis-Putinas. At these and other meetings, members of a trusted network discussed freely many important political and cultural issues, shared their opinions, and devised verbal strategies for supporting informal cultural initiatives. Stonytė thinks that Vanda Zaborskaitė was one of the leaders of the cultural opposition at that time for at least three reasons. First of all, she experienced persecution by the regime during the 1950s and early 1960s. Secondly, as a professor of literature, Zaborskaitė promoted the importance of the poet Maironis. Thirdly, she was in touch with some Catholic priests and kept up a correspondence with them.
After the death of Professor Zaborskaitė, Stonytė inherited a huge private archive that holds personal correspondence, manuscripts, and Zaborskaitė's diary. Understanding its great importance to the history of culture, Stonytė started to collaborate with researchers at the Institute of Lithuanian Literature and Folklore, in order to deal with this archive and publish books about Vanda Zaborskaitė.
According to Stonytė, cultural opposition is related to the search for an authentic national culture, preserving and understanding its importance.
Dimitar Vasilev Stoyanov (1910-1971) took to anarchism already in his youth. He became a member of the Federation of Anarchists-Communists in Bulgaria (FACB). After the Bulgarian coup d’état of 1934 (Devetnadesetomayski prevrat), all political parties, including the FACB, were banned. In the beginning of 1942, Stoyanov, Hristo Kolev, and other activists of the anarchist federation were arrested; the prosecutor sought death sentences under the State Protection Act. Eventually the anarchists received 10-year terms and were sent to prison in Varna. They were released on September 8, 1944, when the prison was taken by forces of the political resistance movement, the Fatherland Front.
The new government declared war on Germany. Dimitar Stoyanov was mobilized and served in the Bulgarian army until the end of the Second World War. Because of his political opinions, he was again arrested, this time by the communist authorities, in 1945. He was sentenced to forced labor in the Bogdanov Dol labor camp near Pernik. Released after one month, he started to work in a glass factory. However, in 1948 he was declared "an enemy of the Fatherland Front" and a court sentenced him once again to forced labor, first in the Kutsian camp in Pernik, then in Mini Nikolaevo, and ultimately in the infamous Belene camp on Persin Island in the Danube.
Dimitar Stoyanov was released in August 1953 during a partial political amnesty after Stalin's death and the (temporary) closure of the Belene camp, when thousands of prisoners were set free. Stoyanov left the camp in worsening health. His remaining 14 years were leukemia stricken.
Marika Vladimirova Stoyanova was born in the village of Vranya Stena, Pernik district, on 31 December 1919. She graduated from the Women’s Professional School in the village of Zemen. As the wife of an anarchist who was convicted and sentenced to forced labor, Marika Stoyanova was subjected to pressure by the People's Militia and State Security. In order to protect her family and children, Marika Stoyanova was pressured to join the Fatherland Front, originally a Bulgarian political resistance movement during WW II, which was transformed in 1945 into a so called popular front under overall Communist control, and all member parties except the Bulgarian Agrarian People’s Union dissolved. Marika sent multiple requests for release of her husband based on her loyalty to the People's Republic. At the same time, together with her husband, she raised their children to have an open and rebellious outlook. Marika supported her son Vantseti Vasilev when he fled Bulgaria in 1988. Marika kept her husband's prisoner testimonies as well as her son's manuscript
Semenata na straha [The Seeds of Fear] despite the risk of punishment by the socialist state.
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Adresa:
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Vranea Stena, Bulgaria 2445
In 1987, the human rights group Helsinki-86 started to publish the periodical Auseklis (Morning Star). It was the first uncensored periodical in Latvia since 15 May 1934 (since the authoritarian coup by Kārlis Ulmanis). It aimed to be an 'independent socio-political, literary and religious magazine'. Since photocopiers were rare and were controlled by the KGB, one of the best ways to make copies for distribution was to take photographss. Vaira Strautniece (b. 1942) was a professional photographer who worked in the photography and film unit of the Academy of Sciences in the 1980s. Her colleague Zigurds Vidiņš (b. 1943) asked her to make 20 copies of each issue. She kept one copy for herself, and handed over the remaining 19 to Vidiņš, who looked after the distribution of the magazine. Vaira Strautniece was one of numerous people who were involved in the distribution of Auseklis.
Dmytro Stus is the son of dissident poet Vasyl Stus, who because of back-to-back draconian sentences of hard labor and exile was largely absent from his son’s life, except through letters sent to him. Dmytro completed his PhD in philology in Kyiv, wrote a monograph about his father and has continued on into a successful career in publishing. Together with his mother, Valentyna Popeliukh, Stus donated the bulk of his father’s papers to the T.H. Shevchenko Institute of Literature in 1991, making possible the publication of many hitherto unknown or unseen poems, letters and prose.
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Adresa:
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Kyiv City, Kiev, Ukraine 02000