Gino Hahnemann was an East German
Bohemian active in the independent literary, art, film, and most notably, LGBT communities of the 1980s. He contributed to the alternative milieu of the GDR as an author, photographer, set designer and filmmaker.
Hahnemann was one of the first and few authors in the GDR to openly write about private homosexual experiences. His estate is preserved by the Academy of Arts in Berlin.
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10115 Berlin Robert-Koch-Platz 10 , Germany
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The General Directorate for the Protection of State Secrets in the Press under the Council of Ministers of Soviet Lithuania (Glavlit) was the main censorship institution in Soviet Lithuania. The collection holds many documents illustrating the censorship of activities by cultural workers, and reflecting the boundaries for content, which was related to Modernism and the Lithuanian cultural heritage.
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Vilnius O. Milašiaus gatvė 21, Lithuania 10102
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The collection of books on Goli Otok is kept in the library of the Serbian Academy of Sciences and Arts (SANU) and is the most significant collection dedicated to this topic. The collection was created through the activities of the Yugoslav and Serbian writer and dissident, Dragoslav Mihailović, who himself served a sentence of fifteen months on the Goli Otok (1951–52). The collection is held in the SANU library as a separate resource and is accessible to researchers.
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Colecţia Ad-Hoc Mişcarea Goma de la CNSAS reflectă existenţa de scurtă durată a unui protest colectiv pentru respectarea drepturilor omului, care s-a născut sub influenţa Cartei 77, a strâns rapid cam acelaşi număr de susţinători, dar, spre deosebire de mişcarea ce i-a servit drept model, s-a sfârşit la capătul a numai câteva luni. Poartă numele iniţiatorului acestei mişcări deoarece aceasta corespunde felului în care mişcarea respectivă a fost canonizată în scrierile istorice după 1989, dar şi modului în care a fost interpretată înainte de 1989 de către poliţia secretă comunistă, care s-a concentrat pe identificarea legăturilor dintre Goma şi ceilalţi susţinători ai mişcării şi pe colectarea de informaţii cuprinzătoare despre toate aceste persoane.
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București Strada Matei Basarab 55, Romania 030167
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The photo archive of Goran Pavelić Pipo contains over 15,000 negatives. The photographs are mainly black and white, and on them Pavelić recorded rock concerts and everyday life around the popular Zagreb cafés Zvečka, Blato and Kavkaz in the period from the late 1970s to the late 1980s, also known as the new wave era. His photographs were conceptually and aesthetically opposed to the photographs in the then official press, such as Večernji list, Vjesnik or Borba, and thus represented a kind of cultural opposition. The Pavelić Photo Archive is extremely important to an understanding the phenomenon of the new wave and the contemporary urban scene in socialist Zagreb.
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