The Rock Museum was established in 2014 as a grassroots initiative by former musicians, experts, and collectors. The museum is the first collection in Hungary that presents documents and items of importance to the Hungarian rock and popular music scene (with an international and primarily regional focus) from the late 1950s to the present. Generally, the phenomenon of rock music under state socialism is considered a form of cultural resistance.
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1133 Budapest Kárpát utca 23 , Hungary
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The digital collection of the Oral History Center contains more than 2000 interviews with twentieth-century witnesses, which are divided into different themes and topics, thus presenting a unique collection of professionally created interviews and memories, many of which are related to the theme of cultural opposition.
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Vlašská 355/9, 118 00 Praha 1, Czech Republic
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The private collection of musician, DJ, radio journalist, and educator Attila Koszits is the primary source on rock and underground (especially New Wave) culture of the last half century in Pécs, a city in southern Hungary. The collection contains periodicals, photo documentation, literature of music, bootleg recordings, and music recorded on discs and cassette tapes.
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When Michal Šufliarsky began to collect these items in 1969, his philosophy was that "what is forbidden is good." He worked as an employee of Czechoslovak television in Bratislava in the field of film and television production. His small private collection contains samizdat, recordings of Western music, photos of everyday life during communism, and unique recordings of student events. The activities of Mr. Šufliarsky are a good example of individual rather than political activism.
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The film and television work of the unconventional screenplay writer and director Nikša Fulgosi (1919-1996) is a component of the cultural heritage, which in a peculiar way testifies to the culture of dissent in the period of socialism in Croatia and Yugoslavia. Many of Fulgosi's film works remained unfinished or were "put in the vault" after their completion because the censors considered them unfit for the public. Fulgosi made the first television documentary series about sex for the Zagreb Radio Television in the late 1970s, which was only partially aired.
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Zagreb Savska cesta 131, Croatia 10000
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Fulgosi, Nikša, dir. A Hundred Beauties per Day, 1971. Film
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Fulgosi, Nikša, dir. Little Jole, 1955. Film
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Fulgosi, Nikša, dir. Romantic Problems of Pepek Gumbas and Marijeta Buble, 1970s.TV series
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Fulgosi, Nikša. Screenplay for the movie “The Late Handshake," 1965. Typescript