activism religios
arte frumoase arte multimedia
arte vizuale
avangardă, neoavangardă
cenzură
critică științifică cultura subterană/clandestină
cultura tinerei generații
cultură pop disidenți din partid
emigrație/exil
film folclor forme alternative de educație
jurnalism independent
literatură și critică literară
mișcare pentru drepturile omului
mișcare studențească
mișcări ale minorităților
mișcări etnice
mișcări feministe mișcări filozofice/teoretice
mișcări naționale
mișcări pacifiste mișcări sociale muzică
obiectori de conștiință
opoziție democratică protecția mediului
samizdat și tamizdat
stiluri de viață alternative și acte de rezistență cotidiene supraveghere, urmărire
supraviețuitori ai persecuțiilor din timpul regimurilor autoritare/totalitare
teatru și arte scenice știință critică
In 1979, the Museum of the River Daugava (then the Dole History Museum) decided to organise the River Daugava Festival. The event was a great success, thanks to the involvement of many creative and competent personalities. Afterwards, the director of the museum was reprimanded by the authorities, because the festival did not have any Soviet content. Items in the collection reflect the festival and its political aftermath. The museum was formed in the 1970s in order to preserve the archaeological and cultural heritage of this part of the River Daugava, as well as Dole Island, which was partly flooded after the construction of the Riga HPP. It is located at the former Dole manor building.
The founder of the Folk Dance House Movement was Béla Halmos. Halmos, as a musician, a folklorist, an instructor, an organizer and the leader of the Hungarian revival movement, supported the Hungarian folk culture and Dance House Movement. The Folk Dance House Archives started to function in 1999. The root of the Archives was the private collection of Béla Halmos, and it continuosly grew thanks to gifts and donations.
The folk music collection of László Lajtha is currently held at the Hungarian Heritage House. The collection provides insight into the private practices of alternative culture during the socialist dictatorship. It holds many documents that represent pre-communist cultural heritage, as well as private opposition to communist ideology. It illustrates László Lajtha’s correspondence with the Communist Party, and contains many letters, manuscripts, and documents which reflect a critical perspective on the Hungarian communist era.
Fortepan is an extensive online collection of photos documenting the 20th century until 1990. All the photos fall under creative commons license. Started as a private non-profit initiative, it grew out of a core collection of 5,000 images, and it has been dynamically expanding as both institutions and private individuals have donated photos. Images are largely about scenes of life in Hungary, but there is a growing number of photos that were taken in other countries. Fortepan is the largest free-use digital photo collection covering, among other things, cultural opposition under communism in Eastern Europe. Underground music scenes, alternative theatre and film, grey zone cultural activities, and the democratic and populist opposition are all topics covered in the collection.