The Student Newspaper published a photograph of Marijan Molnar dressed as a terrorist/criminal in 1981. With this photograph, which is a part of the "For the Democratization of Art" cycle, Molnar wanted to point to the "dose of terrorism in the field of art” by dressing himself as a terrorist. This means that the external difference is always the internal, that the external constraints pressuring art are always reflected in it, as an inherent (im)possibility to be tamed by the artwork" (Molnar, Marijan. Akcije i ambijenti, Zagreb: Naklada MD, 2002., 161).
Suzana Marjanić thinks that with this action, Molnar ˝also expressed his fascination with the anarchist groups of 1970s˝ (Marjanić, Suzana. "Performans i terorizam ili izvedba terorizma." Narodna umjetnost 50, no. 2 (2013), 102-127).