- My Modules:
- Other published:
- Exile: Native Opposition Abroad 2 (Published)
- Folklore and secret police (Published)
- Late Soviet Samizdat (Published)
- SamizdatTestModule (Published)
- Tamás test (Published)
- test (Published)
- Test1 (Published)
- TestMTA (Published)
- Defaults:
- Censorship in European Communist States
- Cultural Memory of Dissent
- Everyday Life: From Non-Conformism to Dissent
- Exile: Native Opposition Abroad
- Film and Media Culture in Cold War Eastern Europe
- Human Rights under (Post-)Communism
- Jazz, Rock, Punk: Music in Communist Eastern Europe
- Non-Conformist Art in Communist Eastern Europe
- Patriotic and Nationalist Opposition During Communism
- Religion under Communism
- Samizdat and Tamizdat
- Secret Police and State Violence
- The Dissident Canon: Literature and Theatre
- Underground Education
- Youth and Popular Culture in Eastern Europe
Handbook
Video
Readings
Compulsory
Recommended
Featured Items from COURAGE Registry (selection)
- Haraszti Miklós: A cenzúra esztétikája, 1986.
- Film artistic: Chelovek idet za solntsem / Omul merge după soare, regia de Mihail Kalik, 1961, în rusă
- Marinat, Alexei, interviu de Petru Negură, 2003 (în română)
- Plenary Meeting of the Latvian Communist Party Central Committee on October 9-10, 1957: On Work with Intelligentsia. Stenographic account
- Popis knjiga i listova koje hitno treba zabraniti i onemogućiti njihovo daljnje širenje, o. 1946. Rukopis
- Mihail Bulgakov: Kutyaszív, 1986.
- External Assessments of the Press and Broadcast 1968-1969
- Nistor, Irina Margareta. Inventarul filmelor traduse, 1985-1989. Manuscrise
- Analiza pisanja Filmskog vjesnika, 1957. Rukopis
- Newspaper "Literary News" (Literaturni novini)
- Aktionsgruppe Banat. Engagement (Angajament), în germană, 1974. Manuscris
- Discursul lui Ivan Bodiul, primul secretar al Comitetului Central al PCM, la al doilea Congres al UCM, 23 decembrie 1969, în rusă
- Petrescu, Dan et al. "Brazde peste haturi" revisited, 1983. Manuscris
- Anderman, Hanna. Minus 1, 1970s. Photo series
- Nagy, Gáspár. I am just watching Olga Korbut, 1975. Typewritten manuscript with corrections
- Mașina de scris elvețiană marca Hermes Baby
- Orosz, István. Unlocked Speech by Gáspár Nagy, 1986. Graphic cover design
- The Tied Up Balloon, 1967. Film
- Péter Bokor, Oral History Interview with Júlia Rajk, 1981
- Casete video VHS cu filme occidentale dublate în română, 1985-1989
- Stănescu, Mihai. Vaporul The Future, 1985. Caricatură
- „Glavlito“ darbo ataskaita, 1959 m.
- Life Flows Quietly By.../Partisans, 1957. Film
- Raportul lui Andrei Lupan la Primul Congres al Uniunii Scriitorilor din Moldova, 1954 (în rusă)
- Stănescu, Mihai. Vizită de lucru, 1983. Caricatură
- Materijali i zapisnik sjednice Ideološke komisije o kulturnim rubrikama dnevnih listova i Radio Zagreba, 1961.
- Documentation of the ban of the play „When pumpkins blossomed” by Dragoslav Mihailović
- Konrád, György. The Loser, 1983. Book
- Securitatea. Despre Herta Müller’s Niederungen (Depresiuni), martie 1982. Notă
Related Collections from COURAGE Registry (selection)
- Iljko Karaman Collection of Court Records on Censorship
- Paul Goma - Arhivă Privată
- Collection of the Ideological Commission of the Central Committee of the League of Communists of Croatia (1956 - 1965)
- Glavlit (Lithuania) collection
- Only the Forbidden Newspapers Will be Remembered
- Latvijas Komunistiskās partijas Centrālās komitejas dokumentu kolekcija
- Mihai Stănescu - Colecție de caricaturi
- Former Tito Archive
- Documentele Uniunii Scriitorilor din Moldova. Fondul P-2955 din AOSPR Moldova
- Kolekcja Stowarzyszenia Dokumentalistów „Droga"
- Adrian Marino - Fondul de la BCU Cluj–Napoca
- Petru Negură - Colecție Privată
- Sbírka Jiřího Lederera Československého dokumentačního střediska
- Kazys Boruta Collection
- Lietuvos komunistų partijos centrinio komiteto kolekcija (1944-1953 m.)
- Vincas Mykolaitis-Putinas Collection
- Herta Müller - Colecție Ad-hoc la CNSAS
- Culianu & Petrescu - Bibliotecă personală
- Polish Section of the Radio Free Europe
- Archiv unterdrückter Literatur in der DDR
- Documentele Uniunii Cineaștilor din Moldova (UCM). Fondul P-2773 din AOSPR Moldova
- Commission for Ideological and Political Work of People's Youth of Croatia (1945-1962)
- Binka Zhelyazkova Film Collection
- Kolekcja Solidarności w Bibliotece Brytyjskiej
- Aktionsgruppe Banat – Colecţie Ad-hoc la CNSAS
- Alexandru Călinescu - Colecție privată
- Slovak Office for Press and Information
- Ion Monoran - Colecție privată
- Cenzura în Teatru și Cinema-Colecția Ad-hoc de la CNSAS
- Augustinas Janulaitis Collection
- Lithuanian Communist Party Central Committee Collection (1953-1962)
- Gáspár Nagy Memorial House
- Irina Margareta Nistor - Colecție privată
Encyclopedia
From COURAGE Registry (selection)
- Petrescu, Dan
- Mykolaitis-Putinas, Vincas
- Haraszti, Miklós
- Müller, Herta
- Marinat, Alexei
- Negură, Ion
- Nagy, Gáspár
- Zhelyazkova, Binka Dimitrova
- Nistor, Irina Margareta
- Monoran, Ion
- Petri, György
- Janulaitis, Augustinas
- Lederer, Jiří
- Karaman, Iljko
- Blandiana, Ana
- Konrád, György
- Goma, Paul
- Boruta, Kazys
- Štreit, Jindřich
External Links
Further Sources
Assignments
In-class or short-term assignments
2) Find a film and a literary work that were banned or censored in a country in Eastern Europe under Communism. (Items included in the COURAGE Registry do not count.) Why were these censored?
3) Collaborate with your classmates in small groups of 3-4: try to map the institutions responsible for censorship in Communist Eastern Europe. Compare the lists you made in class and discuss how those institutions contributed to censorship.
Offsite, longer-term assignments
Run a filtered search in the COURAGE Registry, and identify archives relevant to the topic of censorship in your geographic area. If these are too far away to visit, consult with your professor and local librarians to find out where such materials could be located that you are able to access. What sort of collections could you identify? When was the collection established, by whom, and why? Are there any similarities with the provenance of the Eastern European collections included in the COURAGE Registry?
Discussion
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