The documents present the continuing tendency of Prosvjeta’s leadership to expand Serbian influence in society and insure equality with the Croats, but they also reflect an attempt to justify this tendency, denying any oppositional activity by the Association (so-called counter-revolutionary activity) and rejecting comparisons with Matica hrvatska. The Conclusions of the Executive Committee and the Commission on Conclusions were in fact the working agenda the SCA Prosvjeta i.e., a list of priorities: reviving passive subcommittees and establishing new ones, launching a weekly magazine to cover cultural and social issues Srpska riječ, implementation of a scholarship and research work plan, restoring the museum of Serbs in Croatia, activation of the Documentation Department under the Prosvjeta SCA Main Comittee, the Association's active participation in deliberations on amendments to the Constitution of the SRC and the proposal for constitutional and legal regulation of the status of Serbs in Croatia (equality of languages and scripts in all segments of society, education of Serbian children in special school programs), the establishment of a roughly a dozen commissions with the Main Comittee, and enhanced funding. A change in the Association's name was also proposed: to Prosvjeta – Serbian Union of Croatia, also the convening of the Second Congress of Serbs in Croatia and re-establishment of a Serbian caucus which was supposed to have been decided at the next, twelfth, annual assembly, which, however, was never held because the association’s further work was halted.
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Zagreb Trg Marka Marulića 21, Croatia 10000
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The minutes of the meeting of the three parties, convened to determine the responsibilities of Zvonimir Komarica, then director of the Institute for Migration and Ethnic Studies, and also the chairman of the Commission on International Cultural Relations of Matica hrvatska (MH) and a member of the MH managing board, regarding the adoption of the Declaration on the Status and Name of the Croatian Literary Language. Komarica was accused of participating in the debate on the text of the Declaration, and did not publicly dissociate himself nor attempt to prevent its publication. He was then expelled from the League of Communists of Croatia (LCC). The subject of the meeting was also the signing of a letter of support to Ljudevit Jonke, a signatory of the Declaration by members of the Emigrant Foundation of Croatia, Ivan Čizmić and Nada Bukan, for which they were also expelled from the LCC shortly thereafter.
By 1995, the document was, along with the other records of socio-political organisations, a part of the Archive of the Institute of History of the Labour Movement of Croatia/Institute of Contemporary History. That year, in July, it was handed over to the Croatian State Archives (CSA) where it is kept today. The documents are accessible for use without any restrictions.
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The novel Mirákl was published 1972 in Toronto and 1991 in Prague. It was the first Škvorecký book written in exile, like the immediate reaction to the events of 1949-1970, which the author, over several time levels, logically connects with the beginning of the communist era. We do not know when and under what circumstances the copy of this novel became a part of Mr. Šufliarsky´s collection.
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Ferenc Nádosy edited and disseminated the “Mission” evangelical samizdat periodical between 1958 and 1963. In this paper, authors wrote mainly about missions abroad. The creation of this periodical (23 issues of which were published) was in the center of Nádosy’s resistance. In this picture, we can see the front page of the bounded issues of the paper.
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Sárospatak Rákóczi út 1, Hungary 3950
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The performance, or action, from the ''For the Democratization of Art“ cycle, in which the author hung a banner bearing the slogan "For the Democratization of Art" on the SKUC Building in Zagreb in 1981. The work is the continuation of the cycle which started with the collection of signatures on Republic Square and the drawing of graffiti in an underpass. The artist again changed his form of expression and decided to use a banner.
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