Colecţia reflectă relaţia tensionată a artistului avangardist Hans Mattis-Teutsch cu regimul comunist. Opera acestuia a fost percepută de instituţiile culturale ale regimului comunist ca fiind în dezacord cu stilul oficial al realismului socialist din cauza tehnicilor avangardiste folosite de Mattis-Teutsch. Colecţia include picturi, sculpturi, grafică creată de Hans Mattis-Teutsch în perioada începând cu anii 1910 până în anii 1950.
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Brașov Bulevardul Eroilor 21, Romania 500030
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Colecția privată a lui Sorin Costina ilustrează arta plastică care s-a sustras canoanelor estetice oficiale ale regimului comunist din România. Colecția este cu atât mai valoroasă cu cât artiștii reprezentați în această colecție, care au fost marginali în ultimele două decenii ale comunismului, atunci când controlul ideologic a devenit din ce în ce mai strict, au primit după 1989 recunoașterea valorii lor pe plan național și internațional.
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Brad Strada Liceului 8, Romania 335200
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The collection of the banned journal “
Mozgó Világ” (World in Move), emerging out of a retrospective exhibition, provides unique insight into the stormy history that started to unfold in the 1970s as the outcome of the decision of young writers, artists, and scholars to regain their right to radically criticize the regime, to organize their own groups, and to engage in some overt conflicts, if needed.
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Szentendre , Magyarország
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András Kisfaludy’s collection suggests ways of interpreting retrospective gazes on the alternative culture of the socialist period. While Kisfaludy is the owner of a sizable private collection that concerns alternative and dissent culture of the era, he is more a creator than a collector of documents. During the late 1950s and early 1960s, he was a member of the famous youth gang called "Kalef" (in 2006, he made a film about the gang). From 1968 to 1971, he was the percussionist of the underground band "Kex.” Kisfaludy began to make documentary films on cultural opposition in the 1990s. The core of his oeuvre was done between the early 1990s and early 2000s.
The status of the collection is special because the rights of the movies belong exclusively to András Kisfaludy, so the collection exists only as a private collection. However, the majority of his films are accessible via Youtube.
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As an art historian and curator, László Beke took an active role as both a participant and theoretician in the development of the Hungarian neo–avant-garde movements that had been marginalized by the cultural politics of the time in Hungary. Beke’s private archive, which is kept at the Budapest City Archives, provides a precise imprint of his activities: instead of working from the perspective of a critic, he engaged the artists as a partner. In this spirit he initiated many exhibitions and projects, the documents of which provide the backbone of the archive, complemented with the outcome of his systematic collecting activities that began in his early teens.
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